Kate Moss brings out the Dr. Jeckel and Mr. Hyde classic with a bit of a spin on the W's March Issue.

Kate Moss brings quite the enigmatic appeal in this presentation of her- to some extent even brings chills. The featured closes you are suppose to see if you get past those burning eyes are white,lacy, nunlike clothes that were showing on the spring runways. Stefano Tonchi offers some insight:

As I sat through the spring collections in New York, London, Milan, and Paris, I kept thinking about the dichotomy between "good girls" and "bad girls." It's an old trope that the fashion world loves to recycle every few seasons: Vampy women wear tough leather and menacing heels, while their angelic alter egos float by in airy chiffon dresses, embroidered slips, and eyelet shifts. This season, however, the good girls seemed to constantly stray into bad-girl territory, and vice versa. Designers are too savvy to go for straightforward clichés, and what I found most interesting was the way in which they tweaked familiar archetypes.

One woman who has made a career (and indeed, a life) out of subverting the good girl/bad girl premise is our cover star, Kate Moss, who was photographed by Steven Klein and styled by Fashion and Style Director Edward Enninful in some of the season's most extreme outfits ... But what is it, exactly, about Moss that has kept us enthralled for two decades?

Here's the breakdown fo the outfits. 'Good Kate is wearing a white dress by Vera Wang, while 'Bad Kate' a Jil Sanders dress, Ashley Lloyd head piece, and Cornelia James gloves.