Orlando Bloom's supermodel wife Miranda Kerr was spotted cuddling with her Hollywood husband at the after-party following the press night of his new Broadway production of "Romeo & Juliet."

The 36-year-old couldn't keep his hands off of the 30-year-old Victoria's Secret model, who wore a sexy black and white bandage dress, according to the Daily Mail.

Kerr accessorized her racy ensemble with a pair of white heels, a black clutch and daring red lipstick as she graced The Edison Ballroom with her presence while attend the celebration of the play.

However, that was not the only trendy outfit that Kerr wore on Thursday night. Earlier in the evening the model wore a seafoam sheer long-sleeved dress that added an elegant flare to her usually hot appearance to watch the play.

She paired the dress with a pair of sparkling Christian Louboutin heels and a metallic embroidered clutch bag.

[For photos of Miranda Kerr and Orlando Bloom click HERE]

The Daily Mail reported that the Associated Press' Mark Kennedy described Bloom in the play as "too often appearing like a squinty, ageing boy band member" while portraying Romeo, adding adding that he and Rashad "sometime seem out of synch emotionally."

David Cote from Time Out New York said that when it comes to the chemistry between Bloom and Rashad there is "noticeable lacking."

He went on to say, "This is also the least erotically charged or sexually frank Romeo and Juliet I've ever attended."

Meanwhile, Newsday's Linda Winer commended Bloom on his looks. "He makes a dashing, appealing, if not exactly youthful Romeo."

The play is directed by five-time Tony Award nominee David Leveaux, and features Shakespeare's original language however takes place in a modern setting.

Also further adding to the conflict of the tragedy and putting a spin on the classic play is that the Montague family is white and the Capulets black.

The issue of race was addressed in the press release, stating, "While race defines the family lineages, the original cause of the 'ancient quarrel,' passed down by successive generations to their young, has been lost to time."

When speaking about the drastic changes to the play Leveaux explained, "The last thing we wanted to do was to do a sort of pompous, classic version of Romeo and Juliet."